Infinity

In 1979, we lived in Yorba Linda, CA, and wanted to move to Laguna Beach, a dream shared by many. We’d become such frequent lookie-loos in Laguna that our real estate agent, Annette, knew someday a sale would happen. She and I were friends by then.  “Whenever you’re in town,” she said, “give me a call and we’ll find a few houses to look at.” 

For two weeks that summer, we house-sat for some friends who lived in Laguna Beach. During our house-sitting stint, Richard was sent on a quick business trip to England. While Richard toiled away in England, I called Annette and set up an afternoon of house searching. We met at 1:30 and drove through several neighborhoods, viewing seven or eight houses, not one of which inspired me. Finally, at about 4:00, Annette pulled up in front of what looked like a dark gray concrete block water tank. She turned off the engine and put her hand on my arm. 

She looked at me seriously and said, “Before we go in, I feel I have to warn you about this house. It’s called Infinity.”

 I was curious. House? This is a house? Looks like a water tank to me. 

Annette continued, “Many people do not like this house. A few people do. However they feel about it, they feel strongly. I’ll be interested in your reaction.” 

“Okay,” I assured her. “I’ll let you know.”

We entered the house through a plain wooden door that was slightly to the left of the center of the rounded face of the structure. The door had a round window in it, a bit too high for my short stature. Inside, we walked through a curved entry to get to the hall. The kitchen was to the right and a guest bath to the left.

The kitchen was round, with a high service bar that opened out into the end of the large room to the right. Through the opening appeared a view down the canyon all the way to Main Beach and the ocean beyond. In the kitchen, all of the appliances were brushed stainless steel, which had not become popular as it is today. The surface of the countertops was dark Corian, also not yet commonly seen. The cabinetry was light-colored wood, ash or maple, and when I tested several of them, the drawers opened and closed silently and smoothly, as though they floated on air. The only color in the room was the royal blue of the ceramic tiles on the wall behind the countertops. Because the house was vacant, all surfaces were bare and starkly beautiful. 

From the kitchen we moved along the round wall to the large living room. Its back wall comprised the inside of the concrete blocks that formed the outer wall of the building. This wall curved to form an arc that came to a point where it was joined by the inner wall of the room. The inner wall, too, was an arc, made up of a series of large French doors that fronted on the canyon and presented the full view that I’d first glimpsed through the pass-through in the kitchen. The view also included the houses on the other side of the canyon, probably a half-mile distant. 

The wood frames of the glass French doors were painted white and from the far end of the room I saw that the inner arc continued all the way around to the other end of the house, where it again met the other end of the concrete block outer arc. Thus, the whole structure formed a section like a quarter moon. Except in the kitchen and bathrooms, all the floors in the house were covered with a deep-pile white carpet.

The living room, almost completely unfurnished, had three levels that stepped down from the same level as the kitchen to the lowest level that led out through the French doors onto a deck. On that lowest level, a white painted free-standing wood-burning stove was the only object in the room. The middle level was, to my eye, meant to hold huge pillows and afghans, and lounging conversations, while a grand piano surely should occupy the topmost level. Also, in front of the kitchen, outside the pass-through, there stood several tall stools for people who chose either to watch the cook or to eat what had been cooked. 

When I walked along the inner arc of French doors past the stools and the kitchen area, I came to the other large room on the lowest level. This room, intended to be either an office or a guest bedroom, also looked through its French doors across the deck to the houses on the opposite side of the canyon. The bathroom adjacent to this room had the same excellent cabinetry and counter surfaces as the kitchen. It also had a spiral shower. To get into where the water rained down, one walked through a spiral entry, so no shower curtain was necessary. 

On the second floor, the central circle directly above the kitchen was a studio or office space. When I saw it, it contained an architect’s drawing desk that displayed plans for the house. 

Most of the area over the living room was open to the roof, but—along the inner arc where the French doors were downstairs and similarly framed windows faced the arc upstairs—a walkway with a handrail extended across from the opening to the studio to the point where the two arcs met. This space immensely appealed to the child in me.

On the other side of the central circle, the master bedroom was a vast open space. The master bath contained a huge Jacuzzi tub and a separate, glass-walled shower. The cabinetry, of course, did not disappoint.

I felt I had come home at last, that Infinity was designed and built with me in mind. I felt more than that. I felt I was in a church. There was a unity in that house. It made me complete and, somehow, I completed it. It was not just a building, it was not just a home, it was a spiritual experience. Being in that space was a spiritual completion by, for, and of me. I had to live in that house.

Annette was patient. She left me alone and let me take my time. I went back and forth between the rooms. I tried all the drawers and doors. I checked the view from each room more than once. 

Finally I said, “We can go now.”

In the car on the way back to Annette’s office, I let her run through the list of the other houses we’d seen that afternoon. I made comments about each one and its good and bad points in the way we had of talking about houses, both of us knowing that I was not serious about any of them.

We went into her office and sat down. She fussed with some memos about calls that had come in. Then she said, “Are you alright?”

“I’m fine.”

“Well, I can’t tell.” Annette, a supremely confident person, looked puzzled, uncertain. “Usually, you babble on and on and I can’t get a word in edgewise. You’ve hardly said a word for an hour. What is it? Didn’t you like it?”

“I must have it.” My voice was strong, but it trembled slightly, too.

“Oh! I see.”

“There’s a problem,” I stated flatly.

“Yes,” Annette agreed.

“Three hundred and fifty thousand dollars.” I quoted the listed price of Infinity in an emotion-free monotone, as though it didn’t matter.

“Well, that’s only the asking price,” Annette reminded me. “They usually come down some. I’d guess three hundred and twenty-five thousand dollars, for real.”

“I’m willing to commit any crime. Possibly even murder. But I can’t get caught. There’d be no point.” I paused for a moment. “I’m going to have to think about this. How long do you think I have before there’s a serious buyer?”

“Well, I think (Annette named another agent) has someone ready to make an offer this week.”

“Oh. That’s a big problem. I don’t think I can move that fast.” I wanted to be realistic.

Annette looked at me inquisitively. She was beginning to understand how serious I was. “What are you going to tell Richard?”

“I don’t know,” I said a bit sharply. “That I have to have that house. He will say it’s impossible. And he will think that’s the end of it and he’ll forget about it and go on as if nothing had been said. But I won’t forget about it. I have to have that house.” I went on, “Can you help me figure out all the stuff about selling the house in Yorba Linda and all the available funds we have and all that crap, so I’ll know what the gap is I’m working to fill?”

Annette smiled. That was something she could do something about. “Sure.”

She and I met again in two days, and went through that exercise. The gap was pretty big. It was daunting. Terrifying. I had no idea where to turn, how to go about coming up with such a huge sum of money at all, let alone within a week.

*  *  *  *  *

The next day, Richard returned from England, exhausted from his travels. I barely greeted him. I let him get some sleep.

At breakfast the next morning, I said, “Richard, I have found the perfect house for us here in Laguna Beach. You have to see it right away. There’s a potential buyer.”

“Can’t it wait until the weekend?” he nearly whined.

“No,” I said. “That’s too late. We have to go this evening as soon as you get back from work.”

Richard saw Infinity. I saw that he thought it was interesting, but that was all. 

He spoke practically. “Our furniture will not all fit in that house. We’d have to give up some of it.”

“That’s okay,” I said. “The house is worth it.”

“How much is that house, anyway?” he asked.

I told him, “Three hundred and fifty thousand dollars is the asking price. But you know they’ll come down. Everybody does.”

“Not enough for us to come near affording it.” He was almost triumphant.

I felt deep disappointment that Richard did not experience Infinity in the same way I did. “Richard, I have to live in that house. It belongs to me. I belong to it. I belong in it. This is not a choice. The only dilemma is how to make it happen. Not whether to make it happen. Do you hear that?”

“I hear you say those words.” His voice revealed more than a little irritation. “But you are wrong. We cannot make it happen. Do you hear that?”

“Then I will have to make it happen by myself. Stand back.”

*   *   *   *   *

Annette showed me a way to get into the house without a key. For nearly a month I made two or three trips a week to visit Infinity. I went at different times of day, during the week and on weekends. Richard never went back. He had made his pronouncement and he, indeed, never gave it another thought. 

I spent every waking minute thinking about Infinity. I knew nothing about creative financing. I didn’t know anyone who did. I never did an illegal thing in my efforts to find the necessary money. Perhaps I should have, but the truth of the matter is that I didn’t know what to do, short of finding someone rich (I did not know anyone rich enough) and murdering them after I made sure they had a cool one-third of a million dollars on their person.

Then, early one afternoon when I arrived prepared to again break and enter, a car with a realtor’s tag on it was parked in the driveway. I crept around to the back and—idiot that I was—slipped through one of the French doors. A stereo on the middle level of the living room tiers played Smetana’s “The Moldau,” and when I sneaked up to the master bathroom I found the Jacuzzi bathtub full of hot water and bubbles. I knew I’d been overpowered. I beat a hasty retreat downtown to Annette’s office.

“Yes. I was going to call you later,” she said. “This morning, the agent closed the deal I told you about. They paid $328,000. You could never have come close. I’m so sorry. Oh Carolyn, I am so very sorry.”

“Well, I can’t really say it’s alright, because it isn’t. This is a unique experience. I’ve never been obsessed by anything, a person or an object, in my life before. But I have, now. It will take me a while to recover from this.”

 “Yes, you will recover. And we’ll keep on looking at houses. No other house will ever in your life be as wonderful to you as Infinity. But we will find one that you can live in, and live with. I promise.” Annette handed me a tissue to blot away the tears that had started rolling down my cheeks.

*   *   *   *   *

That was then and now is now. I know many things now that I did not know then. Had I known some of them then, I might have pulled it off. But thinking and saying that is merely second guessing. Many other paths have taken me in myriad unexpected directions since then. I cannot begin to wonder at how my life would be different now had I somehow manifested my passion. I know only that it was, indeed, a magnificent obsession while it lasted.

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